It seeks to expand an understanding of architecture and its relationship with media, politics and society in its broadest sense. One international paper is published each month that deals with an issue or theme relevant to the journal.
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Dual language publications are encouraged. Selected authors are also invited to submit articles for a printed version of the journal. Currently, the journal forum operates as a platform for a research project entitled Architecture as Political Image ; an investigation into the use of architecture in political campaign imagery in the United States and the United Kingdom.
ISSN For details about submissions visit the web site: www. The issue contains an article arguing for a major reconsideration of the architectural profession that uses the notion of the Kunsthalle as its theoretical framework. The author, Manuel Schartzberg, is an architect and tutor currently working in the US.
One of Blanchot's most intriguing literary turns Thomas the Obscure. A devastating new work on chaos, annihilation, illusion, shadows, and the inhuman this text should lead the next wave in writing of this ki. Formidable scholarship. Strong scholarship Another strong academic work A great triumvirate Bataille, Klossowski, Blanchot: Writing at the Limit. Important work Passion and Excess are great concepts Results by Title.
Sacred Texts/Sacred Space
In particular, playwright and activist Tian Han exemplified the instability of conventional delineations between the avant-garde, popular culture, and political propaganda. Understanding Tian in his time sheds light upon a new generation of contemporary Chinese avant-gardists Ai Wei Wei being the best known , who, half a century later, are similarly engaging national politics and popular culture.
The rewritings of the Mexican colonia discussed in this book question a present reality of marginalities and inequality, of imposed political domination, and of hybrid subjectivities.
http://blacksmithsurgical.com/t3-assets/meta/the-naughty-girl-playbook-20.php In their examination of the novels, films, poetry, and chronicles produced in and outside of Mexico since , the critics included in Colonial Itineraries of Contemporary Mexico produce new interpretations, alternative readings, and different angles of analysis that extend far beyond the theories of the new historical novel of the eighties and nineties, and well beyond the limits of the novel as re-creative genre. Taken together, these incisive readings open broader conversations about Mexican coloniality as it continues well into the twenty-first century.
I scarred it all over with arrows and exclamation points, so I can read it again as soon as possible. Revolutionary narratives in recent science fiction graphic novels and films compel audiences to reflect on the politics and societal ills of the day.
Through character and story, science fiction brings theory to life, giving shape to the motivations behind the action as well as to the consequences they produce. Paik shows how science fiction generates intriguing and profound insights into politics.
He reveals that the fantasy of putting annihilating omnipotence to beneficial effect underlies the revolutionary projects that have defined the collective upheavals of the modern age. Superhero fantasies are usually seen as compensations for individual feelings of weakness, victimization, and vulnerability. But Paik presents these fantasies as social constructions concerned with questions of political will and the disintegration of democracy rather than with the psychology of the personal.
What is urgently at stake, Paik argues, is a critique of the limitations and deadlocks of the political imagination. The utopias dreamed of by totalitarianism, which must be imposed through torture, oppression, and mass imprisonment, nevertheless persist in liberal political systems. With this reality looming throughout, Paik demonstrates the uneasy juxtaposition of saintliness and cynically manipulative realpolitik, of torture and the assertion of human dignity, of cruelty and benevolence.
In recent years, the rise of fundamentalism and a related turn to religion in the humanities have led to a powerful resurgence of interest in the problem of political theology. In a critique of this contemporary fascination with the theological underpinnings of modern politics, Victoria Kahn proposes a return to secularism—whose origins she locates in the art, literature, and political theory of the early modern period—and argues in defense of literature and art as a force for secular liberal culture.
Kahn draws on theorists such as Carl Schmitt, Leo Strauss, Walter Benjamin, and Hannah Arendt and their readings of Shakespeare, Hobbes, Machiavelli, and Spinoza to illustrate that the dialogue between these modern and early modern figures can help us rethink the contemporary problem of political theology. Twentieth-century critics, she shows, saw the early modern period as a break from the older form of political theology that entailed the theological legitimization of the state.
Rather, the period signaled a new emphasis on a secular notion of human agency and a new preoccupation with the ways art and fiction intersected the terrain of religion.
It brings together essays by international scholars reacting to the novel while keeping in mind its larger concern with issues of social justice, both local and transnational. Aiming both to refocus critical attention and open the book to a broader array of readers, this collection offers fresh perspectives on its transnational vision, on its sociocultural, historical, and political ambitions, and on its continued relevance in the twenty-first century. The essays examine and explain some of the key points that readers and critics have identified as confusing, problematic, and divisive.
Together, they offer new ways to approach and appreciate the text. Unfortunately, many of the books that purport to explain Joyce are equally difficult.
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In the thousands, perhaps millions, of words written about Joyce, Ireland often takes a back seat to his formal experimentalism and the modernist project as a whole. Yet here Gibson challenges this conventional portrait of Joyce, demonstrating that the tightest focus—Joyce as an Irishman—yields the clearest picture. In China such fundamental acts as eating or refusing to eat can carry enormous symbolic weight. This book examines the twentieth-century Chinese political experience as it is represented in literature through hunger, cooking, eating, and cannibalizing.
The broad historical scope of this volume illustrates how widely applicable eating-related metaphors can be. For instance, Yue shows how cannibalism symbolizes old China under European colonization in the writing of Lu Xun. Throughout, the author compares and contrasts the work of these writers with similarly themed Western literature, weaving a personal and political semiotics of eating.